The last featured film is directed by the legendary Lino Brocka and written by Lamberto E. Antonio and Mario O'Hara. Insiang was the first Filipino movie to be screened at Cannes under the Directors’ Fortnight section. The film centers on a young woman living in the slums of Manila, who endured betrayals, abuse, and exploitation from those closest to her. But Insiang refuses to be the victim in her story because her story is one of survival, strength, and revenge. This is a raw portrayal of the social and emotional toll of poverty and misogyny. Even decades later, Insiang still resonates, maybe not realistically speaking, but still painfully relevant.